While musicals will probably always be king on Broadway, two
of the hottest tickets for the 2014-2015 season are “It’s Only A Play” and “The
Curious Incident of the Dog in the Night-Time,” two plays that are taking New York by storm. While there are plenty of reasons these plays
are expected to be such theatrical treasures (not the least of which being the
brilliant writing and clever direction), both of them are depending on their
casting choices to draw in audiences by the busload. However, while both of these casts seem to be
patron magnets, they couldn’t be more different.
“It’s Only A Play,” a brilliantly dark comedy written by
Terrance McNally back in 1982, took the “Ocean’s Eleven” approach and congregated
as many big names as they could fit on one stage. From movie stars (Matthew Broderick and
Rupert Grint) to television stars (Megan Mullally and F. Murry Abrams) to stars
of the stage (Nathan Lane and Stockard Channing), “It’s Only A Play” is bursting
with positively blinding star power. It’s no wonder tickets are already selling out to a show that
permeates such stardom. Not only do audiences
flock to the opportunity to sit right in front of the personalities that have
filled their televisions, magazines, and YouTube channels for so long, but they
also get the promise of some utterly fantastic performances – after all, these
performers didn’t get to be famous by being mediocre. Not only that, but when so many respected
artists agree to work on a project such as this, there is an overwhelming
feeling that the work itself must have some great artistic value and you would
be a fool not to be the first in line to see it.
On the flip side, “The Curious Incident of the Dog in the
Night-Time,” an inventive and visually stunning adaptation of Mark Haddon’s
book written in 2003, stars a company made-up mostly of unknowns including
Alexander Sharpp, the Julliard graduate who is making his professional theater
debut with the leading role in a play that tied the all-time record of most Olivier
awards won in its London production. While “Curious Incident” can’t light up a city with the
stars on its marquee, it does promise something tantalizingly exciting by
presenting a show of such promise with relatively unknown actors. Audiences are drawn to these types of
performances because there’s always that hope that instead of seeing the stars
of yesterday revive an old classic, they’ll be able to see a star born in an exciting
new work.
From Denzel Washington, to Whoopie Goldberg, to Carli Rae
Jepson, shows have been using star power for years to draw audiences into the
theater. Similarly, we’ve seen unknowns
such as Sutton Foster, Idina Menzel, and Julie Andrews rocket to stardom
because of their fantastic theatrical performances. Thus it’s a nearly impossible to choose
between a star-studded “It’s Only A Play” or a wistfully promising “The Curious
Incident…”. For whether you’re seeing
the first gleam of a stars light, or its final blaze of glory before it fades
into the darkness, there is nothing more entertaining than theatrical
stargazing.
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